The Ingenuity of Frederick Douglass Learning to Write Essay

In his self-titled chronicle, Narrative of the Life of Frederick Douglass, an American Slave, the author presents his audience with a memorable description of his resourcefulness in how he learned to write. His determination to shake off the bonds of illiteracy imposed by his slaveholders created in him the ability to conquer obstacles that held many slaves back. His mastery of the basic steps of the written language would one day play a central role in his success as a free man. The way these skills were acquired teaches us not only of his willpower, but also of his ingenuity as well. The outcome of his efforts culminated in an inimitable slave-narrative, as well as a career as one of the most famous abolitionists that this country†¦show more content†¦The carpenters would mark the pieces according to location using four letters of the alphabet to indicate larboard, starboard, aft, and forward. Douglass soon learned the names of these letters (Douglass). Given the hurdles that Douglass was required to overcome, his ingenuity in self-education is more than outstanding. He writes that he was forced to resort to various stratagems in order to be successful (939). One of these methods was to challenge other boys that were literate to writing contests in which he would practice and prove his ability to write the alphabet. As a slave, he recognized that these were the writing lessons that he might not have received in any other way (942). The process of Douglasss literacy did not occur overnight or without an ample amount of resolve. He had recently learned to read with the aid of his slaveholders wife, and this inspired him to learn to write. He spent the better part of every spare moment in his seven-year bondage with the Aulds accomplishing this mission. He tells the reader that he would use old discarded writing books that belonged to his masters son in order to practice his letters (942). His position of poverty and ownership afforded him none of the advantages that were provided for white children in educational settings. Douglass had no slate, nor did he have paper, or pen and ink. His copy-book was the board fence, brick wall, orShow MoreRelatedNarrative Of The Life Of Frederick Douglass1764 Words   |  8 PagesNarrative of the Life of Frederick Douglass, An American Slave tells the story of Frederick Douglass and his journey to freedom. Throughout the narrative Douglass presents his experiences throu gh the eyes of a slave and how these experiences were the main reason for his acquired freedom. Each part of his transformation into a free, educated man always involved a set of opportunities that allowed him to ultimately be able to write this historical narrative. In the narrative, Douglass never fails to mentionRead MoreFrederick Douglass Teachings And Triumphs2401 Words   |  10 PagesLamese Khoury Professor Natalia Menendez English 1B 25W 4 February 2015 Frederick Douglass’ Teachings and Triumphs: Racism, which still thrives in areas across the United States, was an epidemic in the antebellum south. The basis of the system of slavery is that skin color determined worth. Conveniently, for America’s southern, white population, blacks were only fit to be sold and bought for unpaid service. The prejudice driven consensus among the southern white population was that a black personRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 PagesAfrica, however, the proportion of slum dwellers continued to rise rapidly (United Nations 2003, 2). Especially in Latin America, the squatters had become more organized, more secure, and more professionalized. Investigative reporter Robert Neuwirth writes of Rio de Janeiro’s Rocinha, the largest slum in Latin America: Most current construction in Rocinha is done by wage laborers who congregate at various locations on the hill, looking to be hired by professional contractors. And, to address community-wide

What makes a business successful Free Essays

I have chosen to analyses three successful businesses to understand how each business has gained their success, these businesses Include Apple, Sad and McDonald’s. Other than having success with a growing profit I will explain other factors that they have used. Apple Is an Innovative business that has dominated the technology sector. We will write a custom essay sample on What makes a business successful? or any similar topic only for you Order Now They have plenty of experience, since they have been In the technology industry for over 30 years. This means they have enough knowledge for their market and know how to meet consumer demands. Also they have an excellent racketing team that promotes their product worldwide most commonly through their simple yet effective TV adverts. They have a strong brand identity compared to its competitors since their apple logo is so recognized worldwide. Sad is a massive supermarket the 2nd largest retailer in the I-J following behind Tests. However I still believe that Sad is successful due to their main aim that Is based upon focusing on their customers. This Includes providing a friendly service and also by consistently putting the customer first by lowering prices to save money which automatically attracts more new consumers and also growing a larger market online. McDonald’s Is the world’s most popular fast food franchise with over 60 million customers per day. I believe It’s such a successful company because of their sponsorship deals, they often team up with media partners for example film companies such as Dreadlocks when they release a new movie you are likely to see that theme in your local McDonald’s. Also they have mastered international expansion which creates a huge global presence within over 100 countries. I have also chosen three businesses that are unsuccessful to carry out further research on which includes Blockbuster I-J, HEM and Comet. I will explain why I consider each business has failed in their market and how we can learn from their mistakes. Blockbuster UK is a film rental store that used to dominate the industry. It’s faced troubles from the Increase of competitors that are online, they offer to stream films over the Internet which Is more suited to their current target market that are technology obsessed. The business which Is currently dominating Is Nettling that Is a popular website rather than a postal service meaning it’s more ideal. It’s a wealthy and powerful rival. What we can learn from this is that as a business you have to develop and match customers needs by focusing on what would be preferred by the customer and always adapting to new trends. HEM had an overall decline in sales for CDC and DVD’S undermined by competition from online retailers and online downloads. The common trend among music lovers was to buy their music in digital form rather than buying a CD. HEM has failed to keep their face and instead struggled with handling debt. What we can learn from this is exactly the same with Blockbusters that we need to develop the business in different ways to attach the target market allowing them to survive and succeed such as WHO Smith. Comet reached a downfall due to new competitors and the movement of Internet competitors Is popular meaning other competitors have a larger target market and loyal customers. Also the market Is extremely competitive since new products are being made so princes half each year which means retailers have to sell double to online because it tends to be cheaper. What we can learn from this is that to become a successful business you need to understand the online world. Business must now offer different options such as a shop and a website. How to cite What makes a business successful?, Papers

Assess The Strengths And Limitations Of free essay sample

# 8216 ; verite # 8217 ; Documentary Essay, Research Paper The manner of film verite originated in France during the 1950 # 8217 ; s and `60 # 8217 ; s. It was developed by Drew and Leacock at this clip, and was besides taken up in Britain, as it was seen capable of offering a new documental experience. Verite as a term is frequently interchangeable with similar footings such as fly on the wall, or experimental film. Whilst there are elusive differnces between the related manners, for case, the presence of camera and crew is more expressed in experimental film, for the intents of this essay it is possibly best to see all these manners under the common verite streamer. It is the intent of this essay to discourse in what sense verite can be seen as the most direct type of docudrama, why this `directness # 8217 ; has generated intuition as to its cogency, within its audience, and to what extent this intuition is justified. Possibly one ground why verite is seen as the most direct signifier of docudrama can be found in the it employs during the movie doing procedure. For illustration, verite is minimalist in footings of directoral intercession, and conveys a sense in which the spectator is given a direct position of what was really go oning in forepart of camera on the twenty-four hours of shooting. All this is exacerbated by the absence of T.V. lighting and the rareness of interviews, although verite has progressively utilised `the interview # 8217 ; for intents of coherency. Another characteristic of the verite manner is that it tends to concentrate on extremely spatialised, tight topics. Again this is to show a more consistent image to the spectator, although this besides increases the `directness # 8217 ; of the genre, in that the facts we learn about the group are non blurred by an overload of more general information, as would be the instance were the focal point more widespread. Despite being seen as the most direct signifier of docudrama there are a figure of jobs built-in in the genre which have caused it to be viewed with some intuition. One of the chief jobs centres around the extent to which verite can be seen as offering a `real # 8217 ; or `true # 8217 ; image of the topic it is involved in. Luckacs, for case, has claimed that the cameras attending to the # 8220 ; here and now # 8221 ; is an unequal manner of cognizing. Events, objects and phenomena et cetera are all caught in procedure of alteration and a web of causal dealingss that require representation if the `true # 8217 ; narrative is to be to the full understood. Luckacs claims, nevertheless, that # 8220 ; # 8230 ; the extended entirety of world is beyond the range of any artistic creation. # 8221 ; . In short, he is connoting that verite is incapable of offering a true image of its topic because, as an attack to documentary, it is so limited in its range. This position can be linked to Dai Vaughan s remarks in his book # 8220 ; Television Documentary Usage # 8221 ; . He claimed that verite docudrama shapers are more interested in utilizing indexal instead than iconic symbols in their movies. Vaughan uses the illustration of a brick wall in his statement, claiming that in a fiction movie a brick wall is iconic in that it does non count which brick wall is filmed every bit long as representation of a brick wall is shown. However, in a verite docudrama, the brick wall, as constructed by the spectator upon seeing the image, must bear a alone relation to the brick wall which is really before the camera. From this statement we can presume that the `realness # 8217 ; of the objects/people/places etc shown in movie, is important to the verite attack. Yet, if we believe Luckacs remarks we must presume that verite, due to its limited range, is incapable of showing a existent, or true image of events. In this sense verite is limited, and any effort it makes to show a image of world m ust be viewed with intuition. Verite has besides come across jobs built-in in the topics it tackles. Many verite programmes have been attacked because it is felt that they are non showing a typical illustration of the wider subjects they are undertaking. This was notably the instance in series # 8217 ; such as # 8220 ; The Family # 8221 ; or # 8220 ; The Living Soap # 8221 ; , where the programmes were being broadcast as they were being filmed. This created a state of affairs, as in # 8220 ; The Living Soap # 8221 ; , where alternatively of watching a programme about six typical pupils in their day-to-day lives, we were watching a programme about six immature people who happened, but more significantly, had found a new famous person position, exacerbated by visual aspects in adolescent magazines and on daytime T.V.. As a consequence, the programme was frequently more about how the participants dealt with their famous person position, instead than how they dealt with the typic al twenty-four hours to twenty-four hours life of a pupil. There have besides been accusals that the topics of verite movies act up to the camera, or chair their behavior as a consequence of its presence. For illustration, Colin Young, in hisd article about Paul Watsons series # 8220 ; The Family # 8221 ; claims that during an statement between female parent and girl in one episode he # 8220 ; # 8230 ; sensed that Margaret Wilkins [ the female parent ] was seting the brakes on for the camera # 8211 ; non altering her place, but altering the manner she expresses it. # 8221 ; . Further on he claims that Mrs Wilkins # 8220 ; # 8230 ; sees herself as a representative and she casts herself as the built in interviewer. # 8221 ; . Such behavior has been viewed with intuition by verites critics because it shows how this documental signifier can alter world. The docudrama shapers can besides be seen to pull strings participants behaviour for the camera. A good illustration of this c an be found in Maggie O # 8217 ; Kanes article on # 8220 ; The Living Soap # 8221 ; . # 8220 ; The strain is unrelenting. Mark, a medical pupil wants to phone a friend to happen out the consequence of the afternoons rugby lucifer but a research worker is sent to state him non to do the call until the crew is ready. Marks mate is non home yet so the manager says they will try again in ten minutes. They all sit around on the purple and black couch waiting to try again.†. Infact the input of the film maker is often at the root of the suspicion felt towards verite. The feeling is that documentary makers manipulate reality, be it consciously or subconsciously, to such an extent that the film becomes merely a vague impression of what would actually have occurred were the film not being made. The presence of the camera is often seen as the reason for this. Indeed, the B.B.C.’s â€Å"Principles and practice in documentary programmes† claimed that the recording equipment was â€Å"†¦a constant obstruction between the producer and his subject.†. Tyrell argued that â€Å"it is not the documentary film makers who are dishonest it is the form itself that is flawed by its own internal contradictions. It purports to show us reality, but what we see is inevitably an illusion. A documentary has to be constructed and contrived. Thin gs have to be included and excluded.†. Audiences are often distrustful of what has been excluded, largely because they do not know whether any crucial information has been edited. Often things are left out because they are deemed unsuitable for T.V. audiences. One of the students in â€Å"The Living Soap† was heard berating the role of sex and drugs in the average students life. In his view the programme was not presenting a true picture, and the question of editing is often a reason for suspicion of verite in the wider audience. A number of ethical problems surrounding verite have also aroused suspicion within the audience. Grierson claimed that verite was dangerous because it is â€Å"†¦so open to exploitation by the provincially minded or the second rate.†. Indeed questions continually surround programmes such as â€Å"Sylvania Waters† or â€Å"The Living Soap† asking how ethical or exploitative it is to invade a persons privacy to such an e xtent. Suspicion towards verite could be said to be grounded here in that people are distrustful of film makers who are prepared to `exploit’ people to such an extent. However, there is a sense in which verite can combat all these weaknesses and emerge as a useful and interesting form of documentary. For example, in his style of film making, Roger Graef has claimed that verite is far from unethical because the participants in the documentarys han#ve the power to stop filming, or demand a certain sscene be cut. This idea that the participants `know what they are letting themselves in for’ takes away from the notion that they are being exploited. To counteract the argument that verite is unable to convey a true picture of reality one could look to the writings of Andre Bazin. For example, â€Å"The aesthetic qualities of photography are to be sought in its power to lay bare the realities†¦Only the impassive lens, stripping the object of all those ways of seeing ità ¢â‚¬ ¦is able to present it in all its virginal purity.†. Roger Graef is perhaps rather more realistic when he accepts that the presence of a camera and crew can effect the actuality of the subject being tackled. However, he claims that verite film makers such as himself have never purported to be filming reality as it would be were they not present. â€Å"All we have endeavoured to do in devising a new set of procedures in our film making, is to minimise the effect of our presence.† Paul Watson echoed Graeffs sentiments in his production of â€Å"The Family†. He and his crew arrived before the family got up and left after they went to bed. No T.V. lighting was used and the series was filmed through a hand held camera. It is felt this helped the programmes participants get used to the set up more easily, and whilst it did not present events as they would have occurred without the cameras presence, it did allow the subjects to carry on in an entirely different way than would have been allowed using more conventional film making procedures. As regards the editing of verite films, it could be said that bearing in mind the large amount of material during the making of most verite films it is necessary, for the purposes of coherency, to bring some order and construction to the material on hand. Also, this large editing ratio suggests that it is possible for the film maker to get a clearer idea of what is happening as the subject under scrutiny unfolds. Roger Graef claims that â€Å"†¦the B.B.C. Green book on documentary suggests you spend a day or two watching what happens and then you are suddenly an expert on what’s typical.† He claims that this method forms pre conceived ideas of the way the film is going to go which makes for `unreal’ film making. â€Å"We try to pay some sort of respect all the way through the process to what is actually happening and to what it tells us.†. In conclusion, It could be said th at features of verite such as the editing process, the manipulation of the subjects by the film makers, and the reaction of the participants towards being filmed are inherent weaknesses of the genre and arouse suspicions within its audience thus rendering it useless. However, equally one could say that verite, through its direct approach and realistic style offers a unique insight into real life. Most verite documentarists appear to accept that the genre has its weaknesses, not least of which appears to be the way in which the camera distorts the viewers image of reality. However, it seems clear that aspects of real life do come through very strongly in verite film, and perhaps the reason why so many people are suspicious of it is because it is so realistic. As Roger Graef commented on the public outcry over the series â€Å"The Family†, To present to British families other British families, unexplained, is to confront them most uncomfortably. And they panic, lest the box tur n into a mirror.

Operations Management Theory and Practice

Operation management explains the processes that a product or service passes through during its production. It deals with the design, manufacture, services, and supply of the product. Operations management deals with the procedures that ensure that a firm delivers the desired product and service to the client.Advertising We will write a custom essay sample on Operations Management: Theory and Practice specifically for you for only $16.05 $11/page Learn More It considers the concepts of quality, efficiency, and responsiveness to customers (Mahadevan, 2010). These concepts relate to the methodologies of operation management, which includes; operating budget, productivity enhancement tools, peripheral operations, and open line of communication within the staff. This paper reflects on the relevance and the practical applications of concepts and methodologies of operation management. The operating budget finances the continued activities of the organization. The money kept under the operating budget primary function is to fund the activities of all units in the business. In addition, the productivity enhancement tools cut down the costs and concurrently, increase the profits. This makes the products relatively expensive for the customers. The organization makes use of pie charts, flow charts and the other presentation models to enhance better understanding. Moreover, every employee in the organization is accountable for an effective operations management (Mahadevan, 2010). For this reason, the organization uses open line communication between the different departments. This process is virtually important to everyone within the firm, both the employees and the clients. Therefore, these methodologies relates to the concepts of quality, efficiency, and responsiveness to customers. Operation management is of significant benefit to the organization. When the business effectively uses its available resources and work force in production proce ss, it will meet their clients’ requirements. Therefore, the management must be creative, energetic, and innovative to improve the production process.Advertising Looking for essay on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More This will increase the company’s profits because the customers will be satisfied due to the high quality of products and services. The organization also cuts on the cost of production. Mahadevan (2010) explains that operation management provides a background to the future innovations by supporting new ideas and knowledge of employees within the business. Therefore, the operation management is of importance to the success of the business. The operation management is a chain of activities that all depend on each other for successful outcome. The processes are inter-related, therefore, operation management has to effectively check and monitor these activities. This is the principal di sadvantage, the marketing functions, finance, procurement, production, distribution and all other activities has to co-relate well for a successful completion. If the processes are not in place to work together, then the process will fail. It is of value to have a clear understanding of this topic. Operation management is a wide topic that covers an important part in any organization (Mahadevan, 2010). If ignored, then the management must prepare for low profit margins and customer dissatisfaction. Finally, the concepts and methodologies discussed above apply to all working environments. Importantly, the business responsiveness to customer satisfaction is vital. The organization must work with the aim of meeting the demands of their clients. Again, the methodologies involved gives more credit in meeting the clients satisfaction. On the other hand, if these concepts and methodologies are not applied, the business is at a risk of customer dissatisfaction and lack of production. This a ffects the profit profile of the business, as their profits decreases.Advertising We will write a custom essay sample on Operations Management: Theory and Practice specifically for you for only $16.05 $11/page Learn More Anyone recommending these concepts and methodologies of operation management ought to present them as critical requirements in an enterprise. For a less knowledgeable audience, this topic is an inclusive monitoring of all the processes that a product or a service undergoes to completion. Reference Mahadevan, B. (2010). Operations management: Theory and practice. Upper Saddle River: Pearson. This essay on Operations Management: Theory and Practice was written and submitted by user Emiliano Gould to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.